Settling into Hope and Joy

home sweet home pic

My family’s move from Pennsylvania to Colorado two weeks ago was both exhausting and stressful, but also anticipation of what lie ahead for us.

When we reached our new home, we entered it, excited to see how much the video my husband had taken of the place looked compared to seeing it in person.

It was even better in person.

And the unpacking started right away. And it continues still as I write this.

Thankfully, we finally got our internet hooked up, and I can catch up on news stories, people’s comments on social media, and blog posts.

Also, it gives me the opportunity to write a post myself. I feel as it it’s been many months since I’ve written anything here, but in reality, it hasn’t been that long.

I’m enjoying the beautiful Colorado sunshine, blue skies, and gorgeous landscape. The Rocky Mountains never get old for me or my husband.

autumn in colorado

I don’t know about you, but for me, this is home, full of life, love, joy, and lots of sunshine. The 300+ days of sunshine (counting partly sunny) always lift my spirits.

Just a little while ago, I opened up my novel, Passage of Promise,  in Word, and read the first chapter and the beginning of chapter two.

Last time I read it a couple of months ago, I felt I needed to fix it up one more time before sending it to my editor. This time, I thought, “Wow. This is pretty good.” I’m glad the hard work I put into this story for the past four years has blossomed to what it is today.

Hopefully, I’ll be sending my manuscript to my editor soon–when she can fit my novel into her schedule.

I’ve entered the online critiquing group site and browsed the stories posted. A few of my regular critique partners still have their chapters up for review and coming up in the next week to two weeks.

It takes a bit to readjust my focus on looking over people’s work and putting on my editing/critiquing hat, but I’m hoping to get back into it, if not tonight, definitely tomorrow.

In between getting back into the writing and reading groove, I’m working on getting my younger son into a high school and getting involved in my home church, where my church family has been since we lived in Colorado Springs from 2007 to 2013.

There is so much to look forward to and so much to do, and that makes life great.

When you know your talent and your purpose in life (at least I think I do…took me about 30 years, haha), the path you walk toward is much easier to navigate and trek.

make your life a masterpiece quote by brian tracy

As crisp autumn continues to sweep across the rocky landscape in which I live, I think about how blessed I am and imagine my novel, Passage of Promise, published before Christmas. God willing, it’ll happen.

 

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Book Cover Ideas

Friends, I’m trying out a video to go with my blog. I guess that would be called a vlog? In any case, this is my first attempt at videotaping myself, so I apologize in advance if it sucks. Haha. It’s just over four minutes, so that’s not too much to have to watch my mug and listen to what I’m asking, is it? :O

Anyway, your helpful suggestions in the comments section would be A LOT OF HELP! Thank you!

 

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Gregor’s Loss of Human Identity in His World

depressed man in sunset

The tenets of Marxist Theory are socio-economic, the ideology of materialism, alienation as a result of a capitalistic system, and class relations (Bertens).  This theory can be used to interpret the text of the short story, “The Metamorphosis,” through the central theme of class relations, as well as alienation, and a socio-economic atmosphere in which the main character and his family live.

Franz Kafka’s “The Metamorphosis” is about the transformation of the main character, Gregor, into a vermin, which is a literal representation of a man who has lost his humanity through the socio-economic environment in which he lives.

In the beginning of the story, Gregor wakes up and realizes his human body has transformed into the body of a hideous bug.  He curses his job, saying, “What a strenuous career it is that I’ve chosen!  … There’s the curse of traveling, worries about making train connections, bad and irregular food, contact with different people all the time so you can never get to know anyone or become friendly with them. It can all go to Hell!” (Kafka).  This shows he finds little if any pride or pleasure in his career.

Karl Marx’s views on the relationship between the worker and his or her career depends on if the person is using his creativity and finds pleasure in his work and that he is doing it for himself, or if the worker produces whatever product and toils only for the benefit of his employer with no recognition for his labors.  If the latter is the case, then the worker has alienated himself from his own identity and from his own humanity (Sokel).

This is apparent in Gregor’s complaints about his drone-like occupation and the literal physical change of his humanity to that of a vermin, which is considered nothing more than a parasite and the lowest creature one can be (Sokel).

Gregor acquired his position as a salesman a few years earlier to pay back his parents’ debts to his boss that had incurred when his father lost his job. Living as part of the base structure (working class) of society, Gregor took on the faults of his parents – their debts – and the responsibility for supporting them and his sister.

The money he made went to paying his parents’ debts with little coming back to him.  He explains this situation to the chief clerk when the latter comes to Gregor’s family’s house by saying, “Being a commercial traveller is arduous but without travelling, I couldn’t earn a living.  … You’re well aware that I’m seriously in debt to our employer as well as having to look after my parents and my sister, so that I’m trapped in a difficult situation…” (Kafka).  Gregor goes on telling the chief clerk of his challenges as a travelling salesman, saying, “Nobody likes the travellers” (Kafka).

Gregor’s boss is part of the superstructure – the well-educated businessman’s sphere – and Gregor is in the proletariat/working class–base.

Because Gregor is toiling for his father who is not working and whom the latter reaps the benefits of Gregor’s labors by receiving the majority of his son’s wages and gives him very little, Gregor’s father represents the capitalist and Gregor, the alienated, dehumanized laborer (Sokel).

His father’s negative view of his son is illustrated in the text, as it reads, “His father had decided to bombard him” (Kafka), and his father “threw one apple after another” (Kafka) with the last one hitting him “squarely and lodged in his back” (Kafka).  This apple stayed in Gregor’s flesh as a reminder of the cruel actions of his father.

Gregor became the lowest living being in the house, which is shown through the family’s maid calling him an “old dung beetle” (Kafka) and threatening to smash him with a chair. He’d become even lower than the lowest of the working class.

With this physical change came Gregor’s mental change where he felt himself the vermin he’d turned into and consented to this state.  He’d resigned the position of breadwinner.

This left the parents and sister to figure a new course ahead.  Gregor’s mother toiled sewing various garments while his sister, Grete, worked as a saleswoman at a fashion shop, and learned shorthand and French at night to hopefully better her chances in careers later on.  Gregor’s father did not take up a job, hence changing the dynamics of the household once again since Gregor’s transformation.

His parents ended up renting out one of their rooms to strangers and served them meals.  The living room and kitchen had become occupied and dominated by the lodgers, which represents the family’s enslavement to the capitalistic society noted in the text that says the lodgers “sat up at the table where, formerly, Gregor had taken his meals with his father and mother; they unfolded the serviettes and picked up their knives and forks” (Kafka).

Through Gregor’s loss of identity and humanity in the socio-economic environment in which he lived, he became the sacrificial lamb for the system.

 

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Works Cited
Bertens, Hans.  Literary Theory:  The Basics.  3rd ed.  London and New York:  Routledge, 2014.
Kafka, Franz.  “The Metamorphosis.”  Gutenberg.org.  20 May 2012. Web. https://www.gutenberg.org/files/5200/5200-h/5200-h.htm. Accessed 12 August 2017.
Sokel, Walter H.  “From Marx to Myth:  The Structure and Function of Self-Alienation inKafka’sMetamorphosis.”  The Literary Review.  Web. http://learning.hccs.edu/faculty/david.brenner/engl2333/course-materials-required-reading/copy_of_argument-research-termpaper-essay/suggested-sources-stage-2-for-research-papers/source-kafka-and-alienation.  Accessed 12 August 2017.